Goblin Spider by Forest Rogers
Goblin Spider was inspired by a folktale and traditional Japanese ukiyo-e prints. Elaborate hairpins made me think “legs,” of course. I also noticed that many beauties were depicted holding a bit of folded fabric or tissue in their mouths. This was a come-hither symbol, sufficiently demure to get past court censors but widely understood as erotic (don’t attempt it with Bounty Duratowel — it loses in translation). Thus, mouse in mouth.
via Muddy colours
Posted to Cross Connect by Andrew
Metallic gel pen on illustration board. Never used that myself or saw that technique before. Spiritual and occult motifs: Mr. John Paul ‘Lakan’ Olivares is the creator.
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Sky of milk in a Lake of Fire
Astrophotographer Miguel Claro sent in a photo of the Milky Way above Lagoa do Fogo, the “Lake of Fire,” on the island of São Miguel in the Azores, located in the North Atlantic Ocean. The Azores represent one of the two autonomous regions of Portugal. Light from Vila Franca do Campo, a small town at the southern shore of the island, illuminates the clouds near the horizon. Above, in the sky, from left to right shines Cygnus (The Swan) constellation, the North America nebula (NGC 7000) below the star Deneb. Down and to the right of it lies Aquila constellation. Constellation Scorpius and star Antares glows near the right edge, while Saturn, in Libra, is all the way at the right side.
Image credit: Miguel Claro/www.miguelclaro.com
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Creatures by Kumpan Alexandr
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Kryolan HD, BodyArt and Special FX make-up at IMATS LA.
Looks like something out of ‘Farescape’ :)
SFX make up game so strong. This is one of my all time favourites. The paint job alone is magnificent.
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CEMENT ECLIPSES @ CHIAPAS MEXICO
Artist Isaac Cordal (tumblr / facebook) - “With the simple act of miniaturization and thoughtful placement, Isaac Cordal magically expands the imagination of pedestrians finding his sculptures on the street. Cement Eclipses is a critical definition of our behavior as a social mass. The art work intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution. With the master touch of a stage director, the figures are placed in locations that quickly open doors to other worlds. The scenes zoom in the routine tasks of the contemporary human being”.